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Download Dmitri Shostakovich: A Life in Film: The Filmmaker's Companion 3 (The KINOfiles Filmmaker's Companions) djvu

by John Riley

Author: John Riley
Subcategory: Music
Language: English
Publisher: I.B.Tauris (February 5, 2005)
Pages: 168 pages
Category: Photo and Art
Rating: 4.7
Other formats: lrf azw docx doc

Dmitri Shostakovich: A Life in Film: The Filmmaker's Companion 3 (The KINOfiles Filmmaker's Companions).

Dmitri Shostakovich: A Life in Film: The Filmmaker's Companion 3 (The KINOfiles Filmmaker's Companions). Dmitri Shostakovich: A Life in Film: The Filmmaker's Companion 3 (The KINOfiles Filmmaker's Companions). Download (pdf, . 9 Mb) Donate Read. Epub FB2 mobi txt RTF. Converted file can differ from the original. If possible, download the file in its original format.

This is a very well-written discussion of Shostakovich's music for film composed throughout much of his life. The author has splendid command of the subject. Although it is rather specialized, anyone interested in Shostakovich's music and biography will find it interesting. 2 people found this helpful.

Between 1929 and 1970, Dmitri Shostakovich wrote almost 40 film scores of Soviet films, from Stalinist cult epics to classical literary adaptations. His long and distinguished cinema career has hitherto been overlooked. Categories: Art\Music.

Dmitri Shostakovich book. Goodreads helps you keep track of books you want to read

Dmitri Shostakovich book. Goodreads helps you keep track of books you want to read. Start by marking Dmitri Shostakovich: A Life in Film: Kinofile Filmmakers' Companion 3 as Want to Read: Want to Read savin. ant to Read.

Thanks to John Riley we now have a much fuller picture of the tortuous fate of many of the films themselves, as well as a judicious weighing of their cinematic and musical merits.

After starting as a teenager eking out a living as a silent cinema pianist, his first full film score, New Babylon (1929), plunged the twenty-three year old into a series of controversies, yet forty-one years later King Lear, written five years before his death in the depths of Brezhnev’s stagnation, shows the same musical and political independence. Thanks to John Riley we now have a much fuller picture of the tortuous fate of many of the films themselves, as well as a judicious weighing of their cinematic and musical merits.

00 0. Categories: Film Theory & Criticism. By (author) John Riley. Film Theory & Criticism. Theory Of Music & Musicology. We can notify you when this item is back in stock. AbeBooks may have this title (opens in new window).

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This, the first book in English to look at Shostakovich's cinema career, discusses every film he scored, looking at the films themselves, tracing their .

This, the first book in English to look at Shostakovich's cinema career, discusses every film he scored, looking at the films themselves, tracing their relationship to the changing concerns and policies of the Soviet state and examining how the music works in context. This highly readable book will be welcomed equally by devotees of the composer; those interested in Soviet culture and cinema; and general film music enthusiasts.

item 5 Riley-Dmitri Shostakovich (A Life In Film) BOOKH NEW -Riley-Dmitri Shostakovich (A. .John Riley works at the British Universities Film and Video Council. He has written and lectured widely and given radio broadcasts on Soviet music and film. Country of Publication.

item 5 Riley-Dmitri Shostakovich (A Life In Film) BOOKH NEW -Riley-Dmitri Shostakovich (A Life In Film) BOOKH NEW. £4. 1. item 6 Dmitri Shostakovich: A Life in Film, Hardback, by John Riley -Dmitri Shostakovich: A Life in Film, Hardback, by John Riley.

Between 1929 and 1970, Dmitri Shostakovich wrote almost 40 film scores of Soviet films, from Stalinist cult epics to classical literary adaptations. His long and distinguished cinema career has hitherto been overlooked. Combining analysis and anecdote, John Riley provides this first account to examine the scores and their contexts in the films for which they were written, the ways in which contemporary events shaped both films and scores, and how he thought about, developed and applied his film music.