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by Eva Mantzourani

Author: Eva Mantzourani
Subcategory: Music
Language: English
Publisher: Routledge; 1 edition (December 28, 2011)
Pages: 440 pages
Category: Photo and Art
Rating: 4.2
Other formats: txt lrf lit azw

the book gives a very good impression of the compositional style of Nikos Skalkottas' twelve-note music.

the book gives a very good impression of the compositional style of Nikos Skalkottas' twelve-note music. Rich in examples and illustrated with tables that enable the reader to fully understand the functionality of sets, it succeeds in looking at Skalkottas with the right perspective, and in adding him to the realm of important dodecaphonic composers of the twentieth century'. Fontes artis musicae.

Nikos Skalkottas is perhaps the last great 'undiscovered' composer of the twentieth century The main focus of the book, however, is on Skalkottas's twelve-note compositional processes, since these characterize the majority of his output, and are neither.

Nikos Skalkottas is perhaps the last great 'undiscovered' composer of the twentieth century. In the 1920s he was a promising young violinist and composer in Berlin, and a student of Schoenberg, who included him among his most gifted pupils. It was only after his return to Greece in 1933 that Skalkottas became an anonymous and obscure figure, working in complete isolation until his death in 1949. The main focus of the book, however, is on Skalkottas's twelve-note compositional processes, since these characterize the majority of his output, and are neither well-known nor fully understood. Fontes artis musicae show more. About Eva Mantzourani.

Note: these are all the books on Goodreads for this author.

The Life and Twelve-Note Music of Nikos Skalkottas: A Study of His Life and Twelve-Note Compositional Technique. Note: these are all the books on Goodreads for this author.

Nikos Skalkottas is perhaps the last great 'undiscovered' composer of the . The book, lavishly illustrated with musical examples, is divided into three parts. Part I comprises a critical biography that, by drawing extensively on his letters and other writings, reappraises the image of Skalkottas with which we are often presented.

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Publisher: Routledge. Print ISBN: 9780754653103, 0754653102. Nikos Skalkottas is perhaps the last great 'undiscovered' composer of the twentieth century.

The life and twelve-note music of Nikos Skalkottas. Her monograph The Life and Twelve-Note Music of Nikos Skalkottas was published by Ashgate in 2011. Nikos Skalkottas is perhaps the last great ‘undiscovered’ composer of the twentieth century. This book underlines Nikos Skalkottas's importance as a composer with a distinctive artistic personality, whose work contributed to the development of twelve-note compositional practice, and who deserves a more significant position within the Western art music canon than that to which he is often assigned.

Nikos Skalkottas is perhaps the last great 'undiscovered' composer of the twentieth century. In the 1920s he was a promising young violinist and composer in Berlin, and a student of Schoenberg, who included him among his most gifted pupils. It was only after his return to Greece in 1933 that Skalkottas became an anonymous and obscure figure, working in complete isolation until his death in 1949. Most of his works remained unpublished and unperformed during his lifetime, and although he is largely known for his folkloristic tonal pieces, Skalkottas in fact concentrated predominantly on developing an idiosyncratic dodecaphonic musical language. Eva Mantzourani provides here a comprehensive study of this fascinating yet under-researched composer. The book, lavishly illustrated with musical examples, is divided into three parts. Part I comprises a critical biography that, by drawing extensively on his letters and other writings, reappraises the image of Skalkottas with which we are often presented. The main focus of the book, however, is on Skalkottas's twelve-note compositional processes, since these characterize the majority of his output, and are neither well-known nor fully understood. Part II presents the structural and technical features of his twelve-note technique, particularly the different types of sets and their manipulation, and his approach to musical forms. Part III consists of analytical case studies of several works, presented chronologically, which thus provide a diachronic framework within which Skalkottas's dodecaphonic compositional development can be more effectively viewed. This book underlines Nikos Skalkottas's importance as a composer with a distinctive artistic personality, whose work contributed to the development of twelve-note compositional practice, and who deserves a more significant position within the Western art music canon than that to which he is often assigned.