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Joseph Horowitz, Understanding Toscanini-How He Became an American Culture–God and Helped Create a New Audience for Old Music (Knopf, 1987). Theodor W. Adorno, "Analytical Study of the NBC 'Music Appreciation Hour. Unpublished manuscript. The Musical Quarterly 78:2 (Summer 1994): 325-377.

In Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music, he. .Conversations with Arrau (1982).

In Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music, he treats the Toscanini cult of the mid-twentieth century as a metaphor for the decline of classical music in the United States, arguing that the conductor Arturo Toscanini became the first non-composer to be widely regarded the world’s greatest musician, an. Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music (1987). The Ivory Trade (1990). Wagner Nights: An American History (1994).

All this, and more, furnishes the cal context in which Toscanini became a central symbol and metaphor. Mr. Said's claim that Toscanini, in my book, functions as a cause in a linear progression is highly misleading.

As America's symbol of Great Music, Arturo Toscanini and the "masterpieces" he served were regarded with religious awe. As a celebrity personality, he was heralded for everything from his unwavering stance against Hitler and Mussolini. As a celebrity personality, he was heralded for everything from his unwavering stance against Hitler and Mussolini and his cataclysmic tantrums, to his "democratic" penchants for television wrestling and soup for dinner. During his years with the Metropolitan Opera (1908-15) and the New York Philharmonic (1926-36) he was regularly proclaimed the "world's greatest conductor.

Joseph Horowitz’s new book ranges far beyond the limited expectations raised by its misleadingly specific title

Joseph Horowitz’s new book ranges far beyond the limited expectations raised by its misleadingly specific title. Three decades after Toscanini’s death not many music lovers can be seriously concerned with understanding him. And if they were, in what sense-since neither he nor his music making is in any way enigmatic, and since this very absence of mystery constitutes part of Horowitz’s criticism of him as an interpreter? The real subject of the book, we are told when well into it, is less Toscanini than the manner in which he was perceived, procured, appreciated, marketed.

More recently, Joseph Horowitz has investigated the socioeconomic and cultural meanings of the conductor's American reception in particular (Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music ). With the Letters we come to a book written largely by Toscanini himself over the course of seventy-two years; it.Sachs has accomplished a Herculean undertaking in getting Toscanini's words into perfectly idiomatic English

Horowitz’s 10 books - including Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music (a finalist for the 1987 National Book Critics Circle Award) and Classical Music in America: A History of Its Rise and Fall.

Horowitz’s 10 books - including Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music (a finalist for the 1987 National Book Critics Circle Award) and Classical Music in America: A History of Its Rise and Fall (named one of the best books of 2005 by The Economist) - offer a detailed history and analysis of. American symphonic culture, its achievements, challenges, and prospects for the future. CONTRIBUTOR ARTICLES. Cold War Propagandist: Nicolas Nabokov, JFK, and the Shostakovich Wars.

Harvey had just read my notorious Jeremiad Understanding Toscanini: How He Became an American Culture-God . Understanding Toscanini ends with a diatribe about Lincoln Center

Harvey had just read my notorious Jeremiad Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music. Understanding Toscanini ends with a diatribe about Lincoln Center

Understanding Toscanini: How He Became an American Culture-God and Helped Create a.I cannot even describe how much Course Hero helped me this summer

Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music. New York, NY: Alfred A. Knopf, Inc, 1987. Life Goes to the Berkshire Festival. Life Magazine, September 1, 1941, 74-77. I cannot even describe how much Course Hero helped me this summer. It’s truly become something I can always rely on and help me. In the end, I was not only able to survive summer classes, but I was able to thrive thanks to Course Hero. Dana University of Pennsylvania ‘17, Course Hero Intern.