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by Carol Oja

Author: Carol Oja
Subcategory: Music
Language: English
Publisher: Da Capo Press (December 21, 1982)
Pages: 176 pages
Category: Photo and Art
Rating: 4.6
Other formats: lrf lit mbr doc

Stravinsky in "Modern Music" (1924–1946) (1982).

Stravinsky in "Modern Music" (1924–1946) (1982). Oja is recipient of a Guggenheim Fellowship, the Lowens Book Award from the Society for American Music, three separate ASCAP-Deems Taylor Book Awards, and an award for Best Reference Book from the Music Library Association. She also received the Everett S. Mendelsohn Excellence in Mentoring Award from Harvard's Graduate School of Arts and Sciences

Stravinsky In Modern Music book. Stravinsky in Modern Music (1924-1946). 0306761084 (ISBN13: 9780306761089).

Stravinsky In Modern Music book.

Bibliography: p. 167-169. Unabridged republication of articles printed in the journal Modern music 1924-1946 in New York.

In April 1925 the title was changed to Modern Music and publication continued uninterrupted under this name until the fall issue of 1946. The purpose of the journal was to inform American professional musicians and the American (and European) public about the new idioms and styles of twentieth-century music.

Stravinsky in Modern Music (1924-1946). Modern Masters of Early Music: The Folger Consort. December 1986 · American Music. Carol J. Oja. Aaron Copland. Stephen Charles Anderson. Photocopied material. Analysis on the Development and Revolution of Modern Sichuan Opera Accompaniment Music.

Carol Oja takes us back to a transitional period in the cultural history of New York City (and America); the 1920s. Now things had changed by the 1960s. It isn't that book doesn't talk about anything outside of those years, but that the stuff before leads into that decade and the stuff after discusses how it flowed from those times. Another friend got a hold of the score and parts for Stravinsky's "Requiem Canticles" and gave the second performance of the work here in Ann Arbor immediately after the premier. This book does a great job of showing us how the sense of growth and wonder of the burgeoning city whetted people's appetite for new ideas and wonders in drama, art, and music.

In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America

In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century.

New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance . Another friend got a hold of the score and parts for Stravinsky's "Requiem Canticles" and gave the second performance of the work here. Oja explores this artistic renaissance from th. .What an exciting and most interesting book! Carol Oja takes us back to a transitional period in the cultural history of New York City (and America); the 1920s.