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Download Introduction to Italian Sculpture - Volume 1 djvu

by John Wyndham Pope-Hennessy

Author: John Wyndham Pope-Hennessy
Subcategory: History & Criticism
Language: English
Publisher: Phaidon Press; Subsequent edition (February 3, 2000)
Pages: 288 pages
Category: Photo and Art
Rating: 4.6
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First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpture still stands as. .Volume I covers the period from about 1150 to 1400.

First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpture still stands as the definitive introduction to the subject. A triumph of clear organization. The sculptors dealt with include Nicola and Giovanni Pisano, Arnolfo di Cambio, Andrea and Nino Pisano, Lorenzo Ghiberti and Jacopo della Quercia. The monuments illustrated include the great Pisano pulpits, the facades of the cathedrals of Siena, Florence and Orvieto, Milan Cathedral and S. Petronio at Bologna, the Scaliger tombs at Verona, the Angevin monuments in Naples, and Ghiberti's famous door for the Baptistery in Florence.

John Wyndham Pope-Hennessy. First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpture still stands as the definitive introduction to the subject.

An introduction to Italian sculpture . Pope-Hennessy, John Wyndham, Sir, 1913-1994. inlibrary, printdisabled, . Gothic sculpture in Milan - Venetian Gothic sculpture - Jacobello and Pierpaolo dalle Masegne - Lorenzo Ghiberti - Nanni di Banco - Florentine sculptors in North Italy - The sculpture of the Palazzo Ducale - Mascoli Master: Bartolomemmo Buon - Part 2: Italian Renaissance sculpture: - Italian Renaissance sculpture - Donatello and the.

Introduction to Italian Sculpture -, Volume 1. John Wyndham Pope-Hennessy. Phaidon Press, Feb 3, 2000 - Art - 288 pages. First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpturestill stands as the definitive introduction to the subject.

First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpturestill stands as the definitive introduction to the subject

First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpturestill stands as the definitive introduction to the subject.

Sir John Wyndham Pope-Hennessy CBE FBA FSA (13 December 1913 – 31 October 1994), was a British art historian and Director of the British Museum (1974 – 1976). He was a scholar of Italian Renaissance art. Many of his writings, including the tripartite Introduction to Italian Sculpture and his magnum opus, Donatello: Sculptor, are regarded as classics in the field.

Bibliographic information. Italian High Renaissance and Baroque Sculpture, Volume 1 Introduction to Italian sculpture, Sir John Wyndham Pope-Hennessy Italian High Renaissance and Baroque Sculpture, Sir John Wyndham Pope-Hennessy. Sir John Wyndham Pope-Hennessy.

Western sculpture - ▪ art Introduction three dimensional artistic forms produced in what is now Europe and . John Ruskin - This article is about the art critic, John Ruskin. For the painting of John Ruskin by Millais, see John Ruskin (painting).

Western sculpture - ▪ art Introduction three dimensional artistic forms produced in what is now Europe and later in non European areas dominated by European culture (such as North America) from the Metal Ages (Europe, history of) to the present.

By John Wyndham, Sir Pope-Hennessy.

By John Wyndham, Sir Pope-Hennessy John Wyndham, Sir Pope-Henness.

Italian Gothic Sculpture. by John Wyndham Pope-Hennessy.

For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume I covers the period from about 1150 to 1400. The sculptors dealt with include Nicola and Giovanni Pisano, Arnolfo di Cambio, Andrea and Nino Pisano, Lorenzo Ghiberti and Jacopo della Quercia. The monuments illustrated include the great Pisano pulpits, the facades of the cathedrals of Siena, Florence and Orvieto, Milan Cathedral and S. Petronio at Bologna, the Scaliger tombs at Verona, the Angevin monuments in Naples, and Ghiberti's famous door for the Baptistery in Florence. The new edition of this work provides an accessible introduction to the subject for scholars, students and all lovers of Italian art. At the same time its scholarly notes make it a valuable reference work. Each volume in the set of three can be enjoyed in its own right.