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by Anne Rorimer

Author: Anne Rorimer
Subcategory: History & Criticism
Language: English
Publisher: Thames & Hudson (May 2004)
Pages: 304 pages
Category: Photo and Art
Rating: 4.2
Other formats: lit mobi mobi txt

Anne Rorimer is an art historian and former curator of twentieth-century painting and sculpture at the Art . Pages with related products.

Anne Rorimer is an art historian and former curator of twentieth-century painting and sculpture at the Art Institute of Chicago.

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These works questioned the By the end of the 1960s a revolution had taken place in the perception and practice of art in Europe and North America. Be the first to ask a question about New Art in the 60s and 70s.

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Anne Rorimer’s most popular book is New Art in the 60s and 70s: Redefining Reality. Showing 17 distinct works. New Art in the 60s and 70s: Redefining Reality by. Anne Rorimer.

Publisher's Description. This book chronicles the developments in art that centered on the Conceptual Art Movement, focusing on the late 60s to the end of the 70s. Includes sections on such important figures as John Baldessari, Bruce Nauman, Robert Rauschenberg, and Andy Warhol.

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Anne Rorimer, an independent scholar and curator, is the author of New Art in the 60s and 70s: Redefining .

Anne Rorimer, an independent scholar and curator, is the author of New Art in the 60s and 70s: Redefining Reality. Kunsthalle Bern 1992.

By the end of the 1960s, defiance of traditional art values reflected the demand for social, political and cultural transformation

By the end of the 1960s, defiance of traditional art values reflected the demand for social, political and cultural transformation. A revolutionary turning point in the story of art, it introduced the new ways of seeing that define the art of the 21st century

ISBN13:9780500284711. Release Date:May 2004.

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By the end of the 1960s a revolution had taken place in the perception and practice of art in Europe and North America. This book, the first detailed account of developments centered around the conceptual art movement, highlights the main issues underlying visually disparate works dating from the second half of the 1960s to the end of the 1970s. These works questioned the accepted categories of painting and sculpture by embracing a wealth of alternative media and procedures. Traditional two- and three-dimensional representations were supplanted by a variety of linguistic and photographic means, as well as installations that brought into play the importance of presentation and site. Through close examination of individual works and artists, Anne Rorimer demonstrates the pervading desire to redefine the characteristics of what was once accepted as truly visual in order to dispel earlier assumptions and offer other criteria for seeing. Artists whose work is discussed in depth include Robert Ryman, Gerhard Richter, Joseph Kosuth, Lawrence Weiner, Eleanor Antin, John Baldessari, Gilbert & George, Sol LeWitt, Adrian Piper, Bruce Nauman, Vito Acconci, Marcel Broodthaers, Robert Smithson, Daniel Buren, and Michael Asher. Forerunners of the period such as Jasper Johns, Robert Rauschenberg, Andy Warhol, Frank Stella, Piero Manzoni, Joseph Beuys, Allan Kaprow, and Fluxus are also included.