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by Jonathan Black

Author: Jonathan Black
Subcategory: History & Criticism
Language: English
Publisher: Philip Wilson Publishers (August 21, 2004)
Pages: 112 pages
Category: Photo and Art
Rating: 4.1
Other formats: doc lrf rtf azw

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a b Black (2004), p. 100. ^ see page 1 of Blast or Humphrey Carpenter's A Serious Character: The Life of Ezra Pound, p. 24. Black, Jonathan (2004). Blasting the Future: Vorticism and the Avant-Garde in Britain 1910–20. Philip Wilson Publishers. ISBN 978-0-85667-572-0. 249. ^ a b c d Pfannkuchen (2005).

Book Description A timely and fascinating look at the impact of Futurism on the British avant-garde. The works illustrated are from a range of prominent public and private collections, and many of them have rarely been exhibited. The time is ripe for a fundamental reassessment of the impact that Futurism had on British culture and of Vorticism, the specifically British avant-garde movement inspired by the founder of the Italian Futurist movement, Filippo Tommaso Marinetti.

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Nevinson, and by the core of artists associated with Vorticism: Wyndham Lewis; Edward Wadsworth; Frederick Etchells; William Roberts; Henri Gaudier-Brzeska; Jacob Epstein; and Jacob Kramer. The influence exerted on these artists by the Italian Futurists Umberto Boccioni, Giacomo Balla, Gino Severini and the mercurial impresario of Futurism, Marinetti, is explored fully. Please provide me with your latest book news, views and details of Waterstones’ special offers.

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Black, Jonathan (2004). Blasting the Future: Vorticism and the Avant-Garde in Britain 1910-20. August 9, 1914, New York Times VORTICISM THE LATEST CULT OF REBEL ARTISTS; It Goes a Step Further Than Cubism and Futurism, and Is Sponsored by Brzeska, Epstein and Others. Its Official Mouthpiece Is a Cerise Magazine Called Blast. Template:Artists' books. Manifestoes: Provocations of the Modern. Cornell University Press. Excerpt at Google Books). Pfannkuchen, Antje (2005). From Vortex To Vorticism: Ezra Pound's art and science. Santa Rosa: Black Sparrow Press.

accompanying book illustrates works in a wide range of media by England's only Futurist, . Nevinson,and by the core of artists associated with Vorticism: Wyndham Lewis; Edward Wadsworth; Frederick Etchells; William Roberts; Henri Gaudier-Brzeska; Jacob Epstein, and Jacob Kramer. The influence exerted on these artists by the Italian Futurists Umberto Boccioni, Giacomo Balla, Gino Severini and the mercurial impresario of Futurism, Marinetti, is fully explored.

A timely and fascinating look at the impact of Futurism on the British avant-garde.The works illustrated are from a range of prominent public and private collections, and many of them have rarely been exhibited.The time is ripe for a fundamental reassessment of the impact that Futurism had on British culture and of Vorticism, the specifically British avant-garde movement inspired by the founder of the Italian Futurist movement, Filippo Tommaso Marinetti.This book, which accompanied an exhibition at the Estorick Collection of Modern Italian Art, combines new material and recent research to provide an illuminating and coherent overview of Vorticism before, during and immediately after the First World War.The exhibition is the first major showing of the movement since 1974 and the accompanying book illustrates works in a wide range of media by England’s only Futurist, C.R.W. Nevinson,and by the core of artists associated with Vorticism: Wyndham Lewis; Edward Wadsworth; Frederick Etchells; William Roberts; Henri Gaudier-Brzeska; Jacob Epstein, and Jacob Kramer. The influence exerted on these artists by the Italian Futurists Umberto Boccioni, Giacomo Balla, Gino Severini and the mercurial impresario of Futurism, Marinetti, is fully explored.