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by Gary Edson

Author: Gary Edson
Subcategory: Architecture
Language: English
Publisher: McFarland & Company (August 18, 2005)
Pages: 267 pages
Category: Photo and Art
Rating: 4.7
Other formats: docx mobi mbr azw

Masks and Masking: Faces. has been added to your Cart. The book addresses the distinctive environments within which masks flourished, and the mask is analyzed as a manifestation of art, ethnology and anthropology

Masks and Masking: Faces. The book addresses the distinctive environments within which masks flourished, and the mask is analyzed as a manifestation of art, ethnology and anthropology. The discussion is augmented by more than 100 illustrations of masks chosen for what they reveal about fundamental emotional and spiritual perspectives, as well as for their different styles, shapes, and designs.

Masks and Masking book.

Book DescriptionFor at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society

Book DescriptionFor at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. Ancient cave paintings depict figures with animal masks; early Egyptians left images of humans withanimal "heads"; and Incan burial chambers contained masks of gold to cover the faces of the dead. Ancient peoples wore masks to survive the elements, succeed in combat, confirm their identity, attract spouses, celebrate important events, and venerate their personal and collective gods.

For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon-a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology. Placing the mask in the broader context of the evolution of humanity, this book offers an understanding of the mask as a cultural phenomenon.

Find many great new & used options and get the best deals for Masks and Masking: Faces of. .Gary Edson is the executive director of the Museum of Texas Tech University and the director of the Center for Advanced Study of Museum Science Heritage Management in Lubbock, Texas

Gary Edson is the executive director of the Museum of Texas Tech University and the director of the Center for Advanced Study of Museum Science Heritage Management in Lubbock, Texas. He is also a professor of museum science. Country of Publication.

The book addresses the distinctive environments within which masks flourished, and the mask is analyzed as a manifestation of art, ethnology and anthropology. For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society  .

Coauthors & Alternates.

Masks and Masking: Faces of Tradition and Belief Worldwide: ISBN 9780786445783 (978-0-7864-4578-3) Softcover, McFarland, 2009. Mexican market pottery. Coauthors & Alternates.

For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. Ancient cave paintings depict figures with animal masks; early Egyptians left images of humans with animal “heads”; and Incan burial chambers contained masks of gold to cover the faces of the dead. Ancient peoples wore masks to survive the elements, succeed in combat, confirm their identity, attract spouses, celebrate important events, and venerate their personal and collective gods. Current literature suggests an early association between masking and pietistic practice. These and many other uses of masking are an important part of the record of human existence, shedding light on the origins of belief systems and spiritualism in the earliest human societies. Placing the mask in the broader context of the evolution of humanity, this book argues that the mask itself should not be assessed in the service of any single function. Instead, the chapters integrate all functions to provide a comprehensive understanding of the mask as a powerful cultural phenomenon—a means by which individual communities attempted to communicate their dignity and sense of purpose, as well as to establish a continuum between the natural and supernatural worlds. The book addresses the distinctive environments within which masks flourished, and the mask is analyzed as a manifestation of art, ethnology and anthropology. The discussion is augmented by more than 100 illustrations of masks chosen for what they reveal about fundamental emotional and spiritual perspectives, as well as for their different styles, shapes, and designs.