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by E. Ann Kaplan

Author: E. Ann Kaplan
Subcategory: Humanities
Language: English
Publisher: Oxford University Press; 1 edition (September 21, 2000)
Pages: 584 pages
Category: Other
Rating: 4.9
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Oxford Readings in Feminism

Oxford Readings in Feminism. Part of the successful Oxford Readings in Feminism series.

Feminism and Film (Oxford. has been added to your Cart. E. Ann Kaplan is Professor of English and the first Director of the Humanities Institute, State University of New York, Stony Brook. She is also a widely published author. Series: Oxford Readings in Feminism.

Two new 's 1999 Feminist Film Theory: A Reader and Kaplan's 2000 Feminism and . Thornham, Sue. Kaplan, E Ann. Related books and articles.

Two new 's 1999 Feminist Film Theory: A Reader and Kaplan's 2000 Feminism and Film-offer excellent choices. The notion of a feminist film theory canon may seem anathema to some, as it does to me in some ways. To find them collected in one volume makes everyone's life easier.

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Oxford Readings in Feminism (Paperback)

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Feminist film theory criticizes classical cinema for its stereotyped representation of women. Its aim is to adequately represent female subjectivity and female desire on the silver screen. During its heyday in the 1970s and 1980s a poststructuralist perspective domineered the approach to cinema, claiming that cinema is more than just a reflection of social relations in that it actively constructs meanings of sexual difference and sexuality.

Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by Second Wave Feminism and brought about around the 1970s in the United States

Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by Second Wave Feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.

Klute 1: A Contemporary Film Noir and Feminist Criticism, Christine Gledhill. White Privilege and Looking Relations: Race and Gender in Feminist Film Theory, Jane Gaines. Woman's Stake: Filming the Female Body, Mary Ann Doane. Male Subjectivity and the Celestial Suture: It's a Wonderful Life, Kaja Silverman. Is the Gaze Male?, E. Ann Kaplan. The Difficulty of Difference, David N. Rodowick. Racism, Representation, Psychoanalysis, Claire Pajaczkowska and Lola Young.

This book brings together carefully selected essays on feminism and film with a view to tracing major developments in theory, criticism, and practices of women and cinema from 1973 to the present day. It illuminates the powerful, if controversial, role feminist research has played in the emergence of Film Studies as a discipline during these years; reprinting influential 1970s pioneering essays tracing the ensuing debates and challenges to key theories that shaped this field in the next two decades. Kaplan details the Euro-American contexts within which feminist film theories and practices emerged and traces the changing influences of French, German, and American intellectual movements on feminist film research. As well as a wide-ranging introduction which sets the selection of essays in context, readers will find examples of social-role, psychoanalytic, structuralist, post-structuralist, gay and lesbian, postmodern and postcolonial feminist film criticism, prefaced by introductory notes and including further readings.