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by Ina Rae Hark,Steven Cohan

Author: Ina Rae Hark,Steven Cohan
Subcategory: Humanities
Language: English
Publisher: Routledge; 1 edition (March 28, 1993)
Pages: 288 pages
Category: Other
Rating: 4.7
Other formats: doc lrf rtf txt

FREE shipping on qualifying offers. Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory

FREE shipping on qualifying offers. Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory. Classical Hollywood cinema has been theoretically established as a vast pleasure machine.

Screening the Male book. Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus.

Электронная книга "Screening the Male: Exploring Masculinities in the Hollywood Cinema", Steve Cohan, Ina Rae Hark. Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "Screening the Male: Exploring Masculinities in the Hollywood Cinema" для чтения в офлайн-режиме.

Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory. Steven Cohan, Ina Rae Hark. Routledge, 1993 - 272 pagini. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system.

Contributors are: Steven Cohan, Barbara Creed, Lucy Fischer, Cynthia J. Fuchs, Ina Rae Hark, Chris Holmlund, Susan Jeffords, Adam Knee, Peter Lechman, Steve Neale, Helen W. Robbins, Gaylyn Studlar, Yvonne Tasker, and Robyn Wiegman. Thorough and intriguing.

Annual Film Quarterly Book Roundup Part II.

Film Quarterly Vol. 48 No. 1, Autumn, 1994 (pp. 56-57) DOI: 1. 307/1212936. This is a PDF-only article. The first page of the PDF of this article appears above.

Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film . Contributors: Susan Jeffords, Yvonne Tasker, Cynthia . uchs, Helen W. Robbins, Steven Cohan, Ina Rae Hark, Peter Lehman, Gaylyn Studlar, Robyn Wiegman, Steven Neale, Lucy Fischer, Christine Holmlund, Barbara Cred, Adam Knee.

They have been released to a cinema audience by the commercial film industry and are widely distributed with . Cohan, Steven; Hark, Ina Rae (1993). Screening the male: exploring masculinities in Hollywood cinema. p. 109. ISBN 0-415-07759-1.

Collectively, the science fiction films from the 1990s have received 13 Academy Awards, 15 Saturn Awards, five Hugo Awards, one Nebula Award and one Golden Globe Award.

Screening the Male: Exploring Masculinities in the Hollywood Cinema Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory. Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through. Taylor & Francis Ltd (Sales), Routledge.

Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory.Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system. The essays here explore those male characters, spectators, and performers who occupy positions conventionally encoded as "feminine" in Hollywood narrative and questions just how secure that orthodox male position is.Screening the Male brings together an impressive group of both established and emerging scholars from Britain, the United States and Australia unified by a concern with issues that film theorists have exclusively inked to the femninie and not the masculne: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generatonal differences.