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Download Ethno-Techno: Writings on Performance, Activism and Pedagogy djvu

Download Ethno-Techno: Writings on Performance, Activism and Pedagogy djvu

by Guillermo Gomez-Pena

Author: Guillermo Gomez-Pena
Subcategory: Humanities
Language: English
Publisher: Routledge; 1 edition (August 31, 2005)
Pages: 336 pages
Category: Other
Rating: 4.9
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Gómez-Peña's work with La Pocha Nostra has been presented across the US, Canada, Mexico, Latin America, Europe, Russia, Australia . Ethno-Techno: Writings on Performance, Activism and Pedagogy (book, Routledge, 2005, ISBN 978-0415362481).

Gómez-Peña's work with La Pocha Nostra has been presented across the US, Canada, Mexico, Latin America, Europe, Russia, Australia and South Africa. El Mexterminator (book, Oceano, 2005) Spanish.

Gómez-Peña's work and insight continue to be so very important. a much needed book in these days and times. Guillermo Gómez-Peña is a performance artist and writer, and Artistic Director of San Francisco-based company La Pocha Nostra

Gómez-Peña's work and insight continue to be so very important. Rebecca Schneider, Brown University. Guillermo Gómez-Peña is a performance artist and writer, and Artistic Director of San Francisco-based company La Pocha Nostra.

Guillermo Gómez-Peña has spent many years developing his unique style of : his theatricalizations of postcolonial theory

Guillermo Gómez-Peña has spent many years developing his unique style of : his theatricalizations of postcolonial theory. In Ethno-Techno: Writings on performance, activism, and pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls "the mainstream bizarre. Extensive photos document his artistic experiments.

Guillermo Gómez-Peña has spent many years developing his unique style of ; his theatricalizations of postcolonial theory. Gomez-Pena, G. (2005). Guillermo Gómez-Peña has spent many years developing his unique style of ; his theatricalizations of postcolonial theory. In Ethno-Techno: Writings on Performance, Activism and Pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls 'the mainstream bizarre'.

Ethno-Techno by Guillermo Gomez Pena. Ethno-Techno: Writings on performance, activism, and pedagogy. Gomez-Pena is writing in a recently post-9/11 Americ. wonder how different his writing would’ve been in a post-Trump America

Ethno-Techno by Guillermo Gomez Pena. wonder how different his writing would’ve been in a post-Trump America. Possibly not at all: Our new culture encourages everyone to have an opinion, and to express it (not necessarily an informed opinion, just an opinion) (54). If our new audiences are more interested in direct stimulation than in content, can we effectively camouflage content as experience?

Guillermo Gómez-Peña has spent many years developing his unique style of ; his theatricalizations of postcolonial theory

Guillermo Gómez-Peña has spent many years developing his unique style of ; his theatricalizations of postcolonial theory.

Guillermo Gomez-Pena. Book DescriptionThe performance of "extreme identity" is familiar to us all through the medium of television (just switch on Jerry Springer). So where does this leave the critical practice of artists who aim to make tactical, performative interventions into our notions of race, culture, and sexuality? Guillermo Gomez-Pena has spent many years developing his unique style of : his theatricalizations of postcolonial theory.

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Guillermo Gómez-Peña has spent many years developing his unique style of ; his theatricalizations of postcolonial theory

Guillermo Gómez-Peña has spent many years developing his unique style of ; his theatricalizations of postcolonial theory. Guillermo Gomez-Pena has spent many years developing his unique style of ; his theatricalizations of postcolonial theory. In Ethno-Techno: Writings on Performance, Activism and Pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls 'the mainstream bizarre'

Guillermo Gómez-Peña has spent many years developing his unique style of performance-activism; his theatricalizations of postcolonial theory. In Ethno-Techno: Writings on Performance, Activism and Pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls 'the mainstream bizarre'.Over forty-five photos document his artistic experiments and the text not only explores and confronts his political and philosophical parameters; it offers groundbreaking insights into his, and his company's, methods of production, development and teaching.The result is an extraordinary and inspiring glimpse into the life and work of one of the most daring, innovative and challenging performance artists of our age.