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by Matthew B. Karush,Oscar Chamosa

Author: Matthew B. Karush,Oscar Chamosa
Subcategory: Americas
Language: English
Publisher: Duke University Press Books (May 21, 2010)
Pages: 320 pages
Category: History
Rating: 4.7
Other formats: lrf azw mobi lrf

Matthew B. Karush, Oscar Chamosa. He is the author of Workers or Citizens: Democracy and Identity in Rosario, Argentina, 1912–1930.

Matthew B. Matthew B. Karush is Associate Professor of History and Director of Latin American Studies at George Mason University. Oscar Chamosa is Assistant Professor of History at the University of Georgia.

Contributors: Anahi Ballent, Oscar Chamosa, María Damilakou, Eduardo Elena, Matthew B. Karush, Diana . Karush, Diana Lenton, Mirta Zaida Lobato, Natalia Milanesio, Mariano Ben Plotkin, César Seveso, Lizel Tornay. Lists with This Book. This book is not yet featured on Listopia. Karush, Oscar Chamosa, Natalia Milanesio. Yet until now, most scholarship on Peronism has been constrained by a narrow, top-down perspective. 2010 Previous: Frida Kahlo, Diego Rivera, and Mexican moderni. Library availability. Setting a reading intention helps you organise your reading.

Populism, melodrama, and the market : the mass cultural origins of Peronism, Matthew B. Karush Peronists and cabecitas . Pero?n, Juan Domingo, 1895-1974. Karush Peronists and cabecitas : stereotypes and anxieties at the peak of social change, Natalia Milanesio The Malo?n de la Paz of 1946 : indigenous descamisados at the dawn of Peronism, Diana Lenton Criollo and Peronist : the Argentine folklore movement during the first Peronism, 1943/1955, Oscar Chamosa Unforgettable kitsch : images. Personal Name: Karush, Matthew B. (Matthew Benjamin), 1968-. Personal Name: Chamosa, Oscar.

Matthew B Karush, Matthew Karush, Oscar Chamosa.

A collection of essays on the cultural dimensions of Peronism-the connections . Matthew B Karush; Oscar Chamosa.

A collection of essays on the cultural dimensions of Peronism-the connections between Argentine popular consciousness and the state-particularly during Peróns first regime (1946–55). Situating Peronism within the broad arc of twentieth-century Argentine cultural change, the contributors focus on the interplay of cultural traditions, official policies, commercial imperatives, and popular perceptions.

Este interes ha hecho que dificilmente en la historiografia argentina pueda encontrarse un objeto que haya . oceedings{Ledesma2013KarushM, title {Karush, Matthew & Oscar Chamosa (ed).

Este interes ha hecho que dificilmente en la historiografia argentina pueda encontrarse un objeto que haya sido motivo de tanto estudio. Asi, desde el ambito academico, el peronismo fue abordado desde multiples enfoques s y, desde fechas bien tempranas, ha motivado fuertes discusiones en torno a sus principales nucleos interpretativos. Pasando de los primeros estudios estructurales sobre el tema a las revisiones de los anos ‘60s, el fenomeno resulto analizado desde los planos economicos, demograficos, sociales y politicos. The New Cultural History of Peronism.

Recommend this journal.

Volume 67, Issue 4. April 2011, pp. 561-563. The New Cultural History of Peronism: Power and Identity in y Argentina. Durham: Duke Univesity Press, 2010. Recommend this journal.

In nearly every account of modern Argentine history, the first Peronist regime (1946–55) emerges as the critical juncture. Appealing to growing masses of industrial workers, Juan Perón built a powerful populist movement that transformed economic and political structures, promulgated new conceptions and representations of the nation, and deeply polarized the Argentine populace. Yet until now, most scholarship on Peronism has been constrained by a narrow, top-down perspective. Inspired by the pioneering work of the historian Daniel James and new approaches to Latin American cultural history, scholars have recently begun to rewrite the history of mid-twentieth-century Argentina. The New Cultural History of Peronism brings together the best of this important new scholarship.

Situating Peronism within the broad arc of twentieth-century Argentine cultural change, the contributors focus on the interplay of cultural traditions, official policies, commercial imperatives, and popular perceptions. They describe how the Perón regime’s rhetoric and representations helped to produce new ideas of national and collective identity. At the same time, they show how Argentines pursued their interests through their engagement with the Peronist project, and, in so doing, pushed the regime in new directions. While the volume’s emphasis is on the first Perón presidency, one contributor explores the origins of the regime and two others consider Peronism’s transformations in subsequent years. The essays address topics including mass culture and melodrama, folk music, pageants, social respectability, architecture, and the intense emotional investment inspired by Peronism. They examine the experiences of women, indigenous groups, middle-class anti-Peronists, internal migrants, academics, and workers. By illuminating the connections between the state and popular consciousness, The New Cultural History of Peronism exposes the contradictions and ambivalences that have characterized Argentine populism.

Contributors: Anahi Ballent, Oscar Chamosa, María Damilakou, Eduardo Elena, Matthew B. Karush, Diana Lenton, Mirta Zaida Lobato, Natalia Milanesio, Mariano Ben Plotkin, César Seveso, Lizel Tornay