» » Policing Cinema: Movies and Censorship in Early-Twentieth-Century America
Download Policing Cinema: Movies and Censorship in Early-Twentieth-Century America djvu

Download Policing Cinema: Movies and Censorship in Early-Twentieth-Century America djvu

by Lee Grieveson

Author: Lee Grieveson
Subcategory: Americas
Language: English
Publisher: University of California Press (May 24, 2004)
Pages: 361 pages
Category: History
Rating: 4.1
Other formats: mobi mbr lrf lit

He situates these contestations in the context of regulatory concerns about populations and governance in an ury America grappling with the powerful forces of modernity, in particular, immigration, class formation and conflict, and changing gender roles

Policing Cinema develops new perspectives for the understanding of censorship and regulation and the complex .

Policing Cinema develops new perspectives for the understanding of censorship and regulation and the complex relations between governance and culture. In this work, Grieveson offers a compelling analysis of the forces that shaped American cinema and its role in society. Policing cinema : movies and censorship in ry America, Lee Grieveson. p. cm. Includes bibliographical references and index. isbn 0–520–23965–2 (alk. paper). isbn 0–520–23966–0 (pbk. : alk. paper) 1. Motion United States-History.

This book restores my interest in the study of early cinema because it breaks important new ground and provides fresh and compelling perspectives. Grieveson demonstrates his mastery of this material in a way that is almost unprecedented and completely exemplary.

Policing Cinema is an outstanding piece of scholarship, easily the best book on early motion picture regulation and .

Policing Cinema is an outstanding piece of scholarship, easily the best book on early motion picture regulation and one whose argument about evolving definitions of cinema in the years leading up to the first World War will have a profound impact on conceptions of Hollywood 'classicism. "-Shelley Stamp, author of Movie-Struck Girls: Women and Motion Picture Culture After the Nickelodeon. This book restores my interest in the study of early cinema because it breaks important new ground and provides fresh and compelling perspectives.

Home Browse Books Book details, Policing Cinema: Movies and Censorship i. .This book restores my interest in the study of early cinema because it breaks important new ground and provides fresh and compelling perspectives

Home Browse Books Book details, Policing Cinema: Movies and Censorship i.Policing Cinema: Movies and Censorship in ury America. -Charles Musser, author of "The Emergence of Cinema: The American Screen to 1907 (History of American Cinema, Vol. 1).

Lee Grieveson's book on censorship in the first decade of twentieth-century America is not only important because of what it tells us about the public and state mechanisms for the social control of the new medium of film but also because of the far-reaching effects.

Lee Grieveson's book on censorship in the first decade of twentieth-century America is not only important because of what it tells us about the public and state mechanisms for the social control of the new medium of film but also because of the far-reaching effects such efforts to censor movies had on the whole history of Hollywood.

In his book Policing Cinema: Movies and Censorship in Early-Twentieth Century America, film scholar Lee Grieveson situates the film within the broader discourse on sexuality, morality, and cinema in the United States. Grieveson, Lee (2004). Policing Cinema: Movies and Censorship in Early Twentieth-Century America. Berkeley: University of California Press. 38. ISBN 0-520-23965-2.

Policing cinema: movies and censorship in ury America. Film & Media Studies.

Use tags to describe a product . for a movie Themes heist, drugs, kidnapping, coming of age Genre drama, parody, sci-fi, comedy Locations paris, submarine, new york.

Manufacturer: University of California Press Release date: 24 May 2004 ISBN-10 : 0520239660 ISBN-13: 9780520239661. Use tags to describe a product .

FI203: Silent Cinema. Section: Audiences, Exhibition, Regulation

White slave films, dramas documenting sex scandals, filmed prize fights featuring the controversial African-American boxer Jack Johnson, D.W. Griffith’s The Birth of a Nation—all became objects of public concern after 1906, when the proliferation of nickelodeons brought moving pictures to a broad mass public. Lee Grieveson draws on extensive original research to examine the controversies over these films and over cinema more generally. He situates these contestations in the context of regulatory concerns about populations and governance in an early-twentieth-century America grappling with the powerful forces of modernity, in particular, immigration, class formation and conflict, and changing gender roles.Tracing the discourses and practices of cultural and political elites and the responses of the nascent film industry, Grieveson reveals how these interactions had profound effects on the shaping of film content, form, and, more fundamentally, the proposed social function of cinema: how cinema should function in society, the uses to which it might be put, and thus what it could or would be. Policing Cinema develops new perspectives for the understanding of censorship and regulation and the complex relations between governance and culture. In this work, Grieveson offers a compelling analysis of the forces that shaped American cinema and its role in society.