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Download My Cocaine Museum (Carpenter Lectures) djvu

by Michael Taussig

Author: Michael Taussig
Subcategory: Americas
Language: English
Publisher: University of Chicago Press; 1 edition (May 11, 2004)
Pages: 336 pages
Category: History
Rating: 4.4
Other formats: lit mobi lrf docx

Taussig literally imagines his book to be a "cocaine museum"; it’s a conceit that brings Taussig’s first-person outsider’s perspective . This question shapes Columbia professor Michael Taussig's My Cocaine Museum.

Taussig literally imagines his book to be a "cocaine museum"; it’s a conceit that brings Taussig’s first-person outsider’s perspective together with Colombia’s major cash crop, and with the things that people make and use around i. Taussig has spent much of the last three decades in Colombia, where he has been everywhere and, it seems, met everyone, from the descendants of African slaves who pan for gold on the coast to the ministers in Bogota, digging in their cabinets for missing files. My Cocaine Museum is a report from the field, but it is hardly traditional fieldwork.

Taussig literally imagines his book to be a "cocaine museum"; it’s a conceit that brings Taussig’s first-person outsider’s perspective .

Taussig literally imagines his book to be a "cocaine museum"; it’s a conceit that brings Taussig’s first-person outsider’s perspective together with Colombia’s major cash crop, and with the things that people make and use around i.

The book My Cocaine Museum, Michael Taussig is published by. .

The book My Cocaine Museum, Michael Taussig is published by University of Chicago Press. At its core, Taussig’s museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.

In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the . My Cocaine Museum Carpenter Lectures. University of Chicago Press, 2009.

In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years.

In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn .

by. Taussig, Michael T. Publication date. Books for People with Print Disabilities. Anthropology, Social Science, Archaeology, Anthropology, Sociology, South America, Anthropology - General, Latin America - South America, Social Science, Anthropology, General, Colombia, Economic conditions, Indians of South America, Indians, Treatment of, Santa Maria (Cauca), Santa Marâia (Cauca), Social conditions, Slavery, Gold mines and mining, Cocaine industry, Drug traffic. Chicago : University of Chicago Press. Internet Archive Books.

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My Cocaine Museum book. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.

In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world . My Cocaine Museum - Michael Taussig.

In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years.Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine.This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.