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by Elisabeth Hodges

Author: Elisabeth Hodges
Subcategory: History & Criticism
Language: English
Publisher: Routledge; 1 edition (December 28, 2008)
Pages: 162 pages
Category: Fiction and Literature
Rating: 4.8
Other formats: azw mbr lrf txt

Through a construct she calls 'urban poetics', Elisabeth Hodges draws out the relationship between the city and the .

Through a construct she calls 'urban poetics', Elisabeth Hodges draws out the relationship between the city and the self, showing the impact of the city in cultural production to be so profound that it cannot be extricated from what we know by the name of 'subjectivity'. Each chapter of the book brings focus to a crucial text that features descriptions of the self in the city (by the writers Villon, Corrozet, Sceve, and Montaigne) and investigate how representations of urban experience prepared the way for the emergence of the autonomous subject.

Through a construct she calls urban poetics, Elisabeth Hodges draws out the relationship between the city and the self in early modern French literature and culture, showing the impact of the city in human history and cultural production to be so profound that it cannot be extricated from what w. .

Through a construct she calls urban poetics, Elisabeth Hodges draws out the relationship between the city and the self in early modern French literature and culture, showing the impact of the city in human history and cultural production to be so profound that it cannot be extricated from what we know by the name of subjectivity. Charting a course between cartography, literary studies, and cultural history, this study opens new vistas on some of the period's defining problems.

This work of literary criticism is inevitably aimed more at people working in French departments than at social or intellectual historians.

Urban Poetics in the French Renaissance. Contents: Introduction: the poetics of urban space Envisioning the city Corrozet and the sense of place ScAve's urban poetics Montaigne's topophilia Epilogue: the topology of the subject Bibliograph. More). Representing Place In Corrozet's Antiquitez De Paris.

Renaissance Quarterly is the leading American journal of Renaissance studies, encouraging connections between different scholarly . Urban Poetics in the French Renaissance by Elisabeth Hodges (pp. 570-572).

Renaissance Quarterly is the leading American journal of Renaissance studies, encouraging connections between different scholarly approaches to bring together material spanning the period from 1300 to 1700 in Western history.

Historical Background. Renaissance Period: (1550-1660). Known as the period of "Rebirth of Learning the Renaissance had its origins in the 14th century and slowly came to its highest point in the 15th century. The Renaissance ended the Middle Ages and introduced the modern age. After the Roman Empire fell apart and was conquered by the barbaric tribes, a great number of Latin and Greek manuscripts were either lost or misplaced. In the 14th and 15th centuries, they were finally rediscovered and reproduced using the printing press which had been recently invented around the year 1420.

French Renaissance literature is, for the purpose of this article, literature written in French (Middle French) from the French invasion of Italy in 1494 to 1600, or roughly the period from the reign of Charles VIII of France to the ascension of Henr.

French Renaissance literature is, for the purpose of this article, literature written in French (Middle French) from the French invasion of Italy in 1494 to 1600, or roughly the period from the reign of Charles VIII of France to the ascension of Henry IV of France to the throne. The reigns of Francis I (from 1515 to 1547) and his son Henry II (from 1547 to 1559) are generally considered the apex of the French Renaissance

Aldershot: Ashgate, 2008 .

Aldershot: Ashgate, 2008. viii + 154 pp. Hb £5. 0. Such a broad and stimulating prospectus calls for something of a tour de force of methodological rigour and sustained focus that Urban Poetics in the French Renaissance does not, however, manage to deliver. It is particularly baffling to note that, in the chapter devoted to Gilles Corrozet, parts of which appeared in French Studies in 2008 (LXII, 135 – 49), errors that had evidently been corrected for the journal piece appear in uncorrected form in the book.

Charles of orleans villon marot ronsard du bellay malherbe. My dear eccles, You will, I know, permit me to address you these essays which are more the product of your erudition than of my enthusiasm.

Renaissance French poetry. Our Future Barbarism: Sacrifice, the Body, and Performance in Garnier’s Greek Tragedies. French Renaissance and Baroque Drama: Text, Performance, Theory. Book realized in honor of the amazing work and dedication of the wonderful Tom Conley. by Phillip John Usher.

The 'city view' forms the jumping off point for this innovative study, which explores how the concept of the city relates to the idea of the self in early modern French narratives. At a time when print culture, cartography and literature emerged and developed together, the 'city view', a picture or topographic image of a city, became one of the most distinctive and popular products of the early modern period. Through a construct she calls 'urban poetics', Elisabeth Hodges draws out the relationship between the city and the self, showing the impact of the city in cultural production to be so profound that it cannot be extricated from what we know by the name of 'subjectivity'. Each chapter of the book brings focus to a crucial text that features descriptions of the self in the city (by the writers Villon, Corrozet, Scève, and Montaigne) and investigate how representations of urban experience prepared the way for the emergence of the autonomous subject. Charting a course between cartography, literary studies, and cultural history, this study opens new vistas on some of the period's defining problems: the book, the subject, the city.